Contemporary art publications about Latin American art

The British event highlights the growing presence of Latin American contemporary art, although its visibility remains conditioned by the commercial dynamics of a global fair and by local cultural policies that pragmatically contribute to shaping a contemporary art landscape closer to its audience.

The Guangdong Museum of Art presents the first major museum retrospective of the Venezuelan artist in Asia, spanning seven decades of work.

The British-Mexican artist brings together two projects at IVAM that explore the relationship between endangered species, culture, territory, and forms of coexistence.

Some art fairs are defined primarily by their galleries, while others also seek to explain the cultural context in which they take place. ARTBO clearly belongs to the second category. Created in 2004 by the Bogotá Chamber of Commerce, it was conceived with an ambition that goes beyond organizing an art fair: to support the development of the art market, contribute to the city’s cultural ecosystem, and connect the Colombian and Latin American art scene with the international art world.

The exhibition spans three decades of works addressing disappearances, femicides, and forced displacement, with a focus on the border between Mexico and the United States.

Thirty works join the exhibition starting Saturday, September 19, including pieces from the Colección Daros Latinoamérica.

An Interview with La Chola Poblete

The institution is reinforcing its commitment to Latin American art with three exhibitions that, like the thematic lines underpinning this season, will explore the body, memory, and participation.

Cuauhtémoc Medina, a Mexican historian and curator with a PhD from the University of Essex and a career spanning Tate Modern, Manifesta, and the Shanghai Biennale, will lead the upcoming edition of the event.

Just as Emilia de las Carreras (Buenos Aires, 1989) looks at the hermit crab and understands that leaving a mark means that life leaves marks on you too, engaging with her artistic practice inevitably means that little crusts of her narrative stick to us: the methodology she works with, her intuition as a collector, her thinking of the body as geology, her obsessions, her skeletal and exoskeletal sculptures. The artist's work explores bodies and their remains through a visual and sensory operation crossed with scientific research and self-knowledge, giving shape to pieces that evoke an intersection of the archaeological, the clinical, and the speculative. Her approach to art could easily fill dozens of pages; this is only one chapter.

Spanning five floors of the Pietro Maria Bardi Building, the exhibition brings together works by 148 artists, including previously unseen works, to examine how the idea of Latin America was constructed and continues to be contested today.

Construction of Events brings together Andean ceramics, archival appropriation, and clay mural painting at the Museo de Arte Contemporáneo de Lima, tracing an arc of over four centuries of Peruvian history.

On view through August 31 in proyectoamil, the program spans video, sculpture, and painting shaped by ritual, material experimentation, and ancestral knowledge systems.

Founded by Brazilian collector Flavia Nespatti, ANTESALA opens its doors on October in Fitzrovia with the inaugural group show Assembly Lines.

The 24th Cerveira International Art Biennial consolidates its commitment to contemporary art as a site of critical inquiry through a significant Latin American presence that interrogates territory, memory, and identity from decolonial and transnational perspectives.

Graphic design is one of the most influential engines of contemporary visual culture in Latin America and the Caribbean. Its aesthetic, political, and social impact on the construction of identities and public spheres is undeniable. Yet its presence in the market and in the legitimizing structures of contemporary art continues to occupy a peripheral position.

Álvaro Barrington and Jota Mombaça present architectural installations in the Netherlands that address the event's central theme.

The exhibition brings together works by Wifredo Lam, Amelia Peláez, and Mario Carreño, preserved by private collectors for more than 80 years.

Curated by Irene Gelfman, this year's edition brings together the many faces of contemporary photography in Buenos Aires.

After a decade in the Miami Design District, the institution shifts its focus toward collaborations with museums, universities, and cultural organizations worldwide.

The gift by Diana and Moises Berezdivin brings works by Allora & Calzadilla, Rafael Ferrer, Damián Ortega, Chemi Rosado-Seijo, and Rosângela Rennó, among others, to the Washington museum.

The Colombian artist's exhibition at CRAC Alsace constructs a universe in perpetual transformation, where the reuse of materials, the hybridization of disciplines, and underlying tensions invite viewers to reflect on the social, economic, and symbolic structures that shape our experience of the world.

Interview with Nuria Enguita, Artistic Director, MAC/CCB – Museum of Contemporary Art and Architecture Centre (Museu de Arte Contemporânea e Centro de Arquitetura), Lisbon.

Curated by Katherine Chacón, Movement in Suspended Time activates a surface that evokes the loom as originary matrix, transposing onto the picture plane the tension between artisanal tradition and abstract modernity.

Astrup Fearnley Museet presents 150 works by the Colombian artist, who passed away in January 2026. An exhibition she helped plan herself, spanning six decades of everyday images, political violence, and a palette all her own.

A new exhibition at Americas Society reclaims the work of a painter who defied muralism and held her own in dialogue with American Abstract Expressionism and European Informalism.

The Venezuelan artist presents a body of work at the Instituto Cervantes in New York that stems from a desire to create from the distance imposed by forced migration.

Cristiano Lenhardt was selected for his series of works born from his encounter with the environmental tragedy of the 2024 floods in southern Brazil.

Argentine by origin, the curator and former Director of the Visual Arts Department of the Artists in Berlin Program (DAAD) — a residency that connects creatives from around the world with Germany's cultural scene — has spent years building bridges between Latin American art scenes and the major centers of Western art.

Curated by Diane Lima, the exhibition brings together Adriana Varejão and Rosana Paulino for the first time to rewrite the wounds of colonialism.